Toronto Video Production Company

Video Production Company inToronto

The CN Tower rises over Toronto's downtown towers and waterfront under a bright summer sky.

Commercials, brand films and branded content, made in Toronto.

Ajax Creative is a video production company that makes commercials, brand films, and branded content in Toronto. On every shoot, you get a director from our roster matched to the job, a producer who runs the day, and senior Toronto crew. You know every name on your set, and you get one itemized number with nothing hidden in it.

Hire the whole team from creative to final cut, or the stage you need: production only, production and post, or post only.

We produced IKEA Canada's Sleep Talk Reviews for Rethink: Cannes Lions Gold 2026, two One Show Gold Pencils, Best of Show at the 2026 Marketing Awards, Clio Bronze.

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Recent work

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Capabilities

Every discipline the shoot demands.

Every Ajax shoot is director-led and producer-run, and we build each department around your brief.

Directors

Your director writes the treatment that sets how the film will look and feel, then leads the cast and crew on set.

Art

Our art department designs sets, builds props, and dresses real Toronto locations to fit the look your director sets.

Locations

Our producers scout Toronto locations and secure each owner's permission. For Riot Games' Valorant spot with Goodboy Creative, we built the game's world in Toronto's underground spaces.

Camera, Lighting, Sound

We choose cameras, lenses, and lighting for the look of the film. On set, we record clean dialogue and natural sound for the final mix.

Casting

We cast trained actors or real people, whichever the brief calls for. For IKEA Canada's Sleep Talk Reviews, we cast real people and filmed them over two nights as they slept in a working IKEA showroom, with 18 hidden night-vision cameras rolling.

Stunts and SPX

Stunts, pyrotechnics and simulated gunfire need trained specialists and extra approvals. In Toronto, that means a location permit from the City and sign-off from Toronto Police or Toronto Fire, even for an indoor shoot on private property.

Crew

We staff each department the film needs and size the crew to the shoot.

Picture Cars and Production Vehicles

We source the picture cars and production vehicles the script calls for.

TORONTO Production Company Directors

Directors who make the film

Each director on our roster has a distinct style, and we put forward the ones whose work fits your brief.

Jared Galley

Martin Marko

Casey Rogan

Brandon Cox

Matty Manhire

Dallas Sauer

Jon Schwartz

Tom Clover

Guy Paterson

Brief to delivery

Your project moves through six stages, from the first call to the final file, with one producer leading all of them. You review the work at every stage.

A man sits at a laptop in a busy open-plan office, colleagues working and talking at tables behind him.
1

Discovery

We start with your goal, audience, budget, and deadline. Then we ask the question behind every Ajax film: what should your audience feel?

A woman stands to address colleagues seated around a long conference table, city dusk filling the windows behind her.
2

Creative Development

Our creative team turns your answer into one idea big enough to carry the campaign. The script and storyboard plan the hero spot and its cutdowns together.

A woman works at a desk in a dim, cluttered office.
3

Pre-Production: the film on paper

Your producer locks the director, cast, crew, locations, and schedule, plus any City permits and insurance the locations require.

A robotic camera arm sweeps over a set dressed with greenery while a crew member operates it on a darkened soundstage.
4

Production

On shoot day, the director runs the set while your producer keeps the day on schedule and on budget.

Two family members seated in front of the television watching together.
5

Post

Our post team edits, colour grades and mixes the film, adding music, VFX and animation where the cut calls for them.

The couple suddenly rides a large motorcycle next to the dining table, dressed like rockstar bikers.
6

Delivery: what you get and who owns it

You get the hero film plus every cutdown and aspect ratio on the delivery list, with ownership set out in your quote.

Industries

Every industry That ships video

We make films for clients in retail, technology, financial services, automotive, food and drink, healthcare, fashion and entertainment.

On every Ajax set

The director who wrote your treatment is on your set, and a producer runs the day.

What brands hire us for

The work Toronto brands come to us for

Brands hire us to shoot commercials, brand films, documentary work, and live events in Toronto, along with product, social, explainer, and internal videos.

Red-haired graduate in cap and gown smiling beside a car in a tree-lined suburban driveway.

Brand Films

We build each brand film around the one feeling you want people to leave with, then match the director whose style carries it.

Two tattooed couple in motorcycle vests seated at a formal dining table set with empty plates.

Commercials (TV/Digital)

We make commercials and TV spots for broadcast, streaming, and paid social. The hero spot and every cutdown come from one shoot, planned in the script.

Overhead shot of a person in red lounging on a bed in a sunlit retro-styled bedroom.

Product Videos

A product video shows how something works and why someone should buy it.

Extreme close-up of water droplets beading on textured orange fabric.

Explainer & Animation

Our animation team makes 2D, 3D, and motion graphics explainers.

Employee seated on a chair for an interview inside a vast empty warehouse.

Corporate & Internal Comms

We make leadership messages and training videos for a company's own staff, plus recruitment films for the people it wants to hire.

Older man greeting a woman in a blue dress beside a black car in a residential driveway.

Social Content

We plan the vertical cuts in the script, so one shoot day covers the spot and the social versions.

A person in a dim, warmly lit room.

Documentary-Style

Documentary-style work puts real people at the centre. We find the right people, film them as they are, and build the story in the edit.

A team in matching jerseys stands together on stage.

Event Coverage

For conferences, launches and live events, we size the crew to the event and plan coverage around the run of show. The recap film and social clips come from the same footage.

We don't write the hero spot and figure out the rest in pre-roll. We architect the idea for every surface the campaign lives on.

Channel expertise

Production for the channel That's buying it

Your media plan decides how we shoot, so every channel goes into the script.

Man in bed pointing a remote control toward the camera in a warm-lit bedroom.

Broadcast + TV

We finish broadcast spots to each network's technical specs, in every length your media plan calls for.

Sleep Country billboard advertising free pillow fittings against a blue city sky.

Out-of-Home

Stills and motion loops come from the same shoot, so the billboard matches the spot.

Couple enjoying steak and fries with beer at a casual restaurant table.

Connected TV + Streaming

Streaming spots play on a living room screen, and we master them for it.

Lone cowboy on horseback riding through desert heat haze.

Theatrical + Cinema

Cinema spots and pre-show films get a big-screen finish and a theatre sound mix.

Man relaxing with a phone in an armchair in a warm brick-walled living room.

Digital Video + OLV

Viewers can skip pre-roll, so we put the brand and the message in the opening shots.

Roadside assistance employee in uniform working at a computer in an office.

Brand Channel + Owned

Films for your website and YouTube channel can run longer, because people choose to watch them.

Young woman smiling at her phone while walking through an autumn parking lot.

Social Platforms

Vertical, square, and short-form versions carry captions for sound-off viewing.

Motivational speaker with headset mic addressing a large audience from stage.

Conference + Stage

Opening films, sizzle reels and keynote content need to hold a large screen in front of a live audience.

Visit our office

60 Atlantic Avenue, Suite 200, Toronto, ON M6K 1X9

Shooting in Toronto

Permits and Insurance

Filming on City property for more than an hour needs a location permit from the City, and so does using City streets to support a shoot on private property. The City also requires a certificate of insurance that names it as an additional insured.

Locations and Neighbourhoods

Residents and businesses near the set receive written notice at least 48 hours ahead, counting prep days. In residential areas, the City turns down a request to go past its standard filming hours or street use when most affected property owners object.

Seasons and Light

Around the June solstice, the sun sets after 9 p.m., which gives long exterior days. In midwinter, it sets earlier than 5 p.m., and that lasts into mid-January.

Work Shot Here

We produced IKEA Canada's Sleep Talk Reviews in a Toronto showroom and shot Riot Games' Valorant spot in the city's underground spaces.

Let's make it real.

Tell us about the project. We come back within one business day.

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FAQs

Commonly asked questions

Cost depends on shoot days, crew, cast, locations, and how much post the film needs. After the discovery call, your producer sends one itemized number built on those choices.

Every shoot has a director from our roster matched to the job, a producer who runs the day, and senior Toronto crew in each department the film needs.

Tell us what the film needs to do, who it is for, where it will run, your deadline, and your budget range. Send a brief or references if you have them, and the discovery call covers the rest.

You need a location permit from the City to film on City property for more than an hour, or to use City streets to support a shoot on private property. A shoot that stays entirely on private property between 7 a.m. and 11 p.m., with its vehicles parked there and no special effects or simulated gunfire, needs no City permit. When a permit applies, your producer handles it along with the insurance certificate and the letters to neighbours.

One producer leads your project from the first call to delivery. You sign off on the script, the cast, the locations and each cut.

Your delivery list covers the hero film and every cutdown and aspect ratio your channels need. The quote names each file and who owns it.